Head, heart and hands in Steiner Philosophy
An overview of the growth of the Steiner-Waldorf schools in Italy
Steiner education—also globally known as Waldorf education—is based on the teachings of Rudolf Steiner (1861-1925), Austrian philosopher, educator and architect. At its core is the aim of educating the whole child through learning experiences that develop emotional and social maturity while fostering intellectual, practical and artistic capacities.
The first Steiner school opened its doors in 1919 in Stuttgart, Germany, following a request from Emil Molt, the owner of the Waldorf-Astoria cigarette factory, to educate his employees’ children. The philosophy underlying this educational model centres on nurturing the child in a holistic manner, taking into account key stages in child development. Its curriculum provides learning experiences specifically tailored to meet the needs of children at each developmental stage.
For instance, formal literacy is generally introduced only in Year 1 (later than in most mainstream educational settings) because children at this age are still at one with the universe and living in a state of ‘dreaminess,’ which makes early formal instruction inappropriate. Instead, greater emphasis is placed on narratives, such as fairytales, that speak to the child’s imaginative nature, with formal literacy emerging organically from the stories presented.
Other points of divergence from mainstream settings include the importance placed on rhythm and continuity. In many Steiner schools, the same teacher follows a class cohort throughout the entire primary years. Imagination, creativity and experiential learning are also highly valued, supported by a strong emphasis on teachers’ artistic and pedagogical training.

This teaching philosophy is steadily growing in Italy, where it has found a receptive audience, according to the Federazione delle Scuole Steiner-Waldorf in Italia (FSSI). Steiner-Waldorf schools and educational institutions span early childhood, primary, lower- and upper-secondary, and are distributed across many regions, with most concentrated in the northern areas, such as Lombardy, Veneto and Trentino-Alto Adige.
The popularity of this system in Italy is largely due to the alternative learning experience it offers to families seeking a different pace of education, one with a greater focus on the individual, a rich music and arts programme, a strong sense of community, and an increased awareness of emotional wellbeing and mental health within a holistic view of child development. Additional factors include an appreciation for humanistic education through an integrated curriculum that combines academic and hands-on learning, as well as the opportunity to move away from crowded urban classrooms and exam-heavy reporting.
Many Steiner centres in Italy have emerged from grassroots initiatives, budding cooperatives, and small groups founded by passionate and dedicated parents, or existing mainstream institutions that have adopted a Steiner stream. The heterogenous nature of these centres—with some operating as private entities and others being state-recognised or affiliated to existing schools and working within regional regulations—results in a variety of practices and quality, an issue many expanding movements must come to terms with. As with anything slightly out of the ordinary or not run-of-the-mill, myths and misconceptions have arisen over the years.

Among the most common misconceptions is the idea that Steiner education does not value science, or even rejects it. In fact, the sciences have a crucial role in Steiner schools, where they are taught sequentially and consistent with children’s cognitive development. The approach to teaching science therefore varies by year level: in the lower years, teaching prioritises observation and experiential learning, while in the upper years it shifts towards more theoretical and abstract learning.
Another misconception is around academic rigour, or, more precisely, the assumed lack of it. It is sometimes believed that Steiner schools do not value academic learning and that children do not acquire fundamental skills like reading, writing and mathematics until much later, if at all. Nothing could be further from reality: these skills are indeed taught, but the pace and method are different. As noted earlier, formal reading and writing is delayed until Year 1, with foundational skills developed through the arts, movement, narratives, and explicit instruction of salient concepts and skills.
A further myth is that Steiner education is a cult. This perception may have arisen from the fact that Steiner schools are sometimes portrayed as religious centres. While Rudolf Steiner’s philosophy does include spirituality and the belief in realms beyond the purely physical, this has nothing to do with religion. For example, the study of ancient civilisations in the Year 5 curriculum may include religious discussion, but only within cultural and historical context—not as indoctrination or affiliation with a particular religious belief.

A final misconception is that Steiner schools do not assess students’ progress. Once again, this is far from the truth. Assessment—whether diagnostic, formative or summative—is an integral part of teaching and reporting in Steiner schools. It guides teachers in what and how to teach, providing invaluable information on prior knowledge, learning gaps, and effective ways to communicate children’s progress to families.
While many schools do not conduct standardised testing in the early years, or assign homework, this does not mean assessment is absent. While ongoing formative assessment—such as anecdotal observations, narrative reports and projects—is preferred, families who wish for more measurable outcomes can request this information, with access to screeners, rubrics, and similar tools.
Steiner schools are growing across Italy despite the myths and misconceptions surrounding them. This is driven by their compelling reputation as alternatives to mainstream education—one that appeals to parents who value holistic development, a “head, heart and hands” approach to learning—and an environment where creativity, and a slower, more meaningful pace of education fosters well-rounded, emotionally mature students.




